Mehmet Güleryüz sketches are the typical denominator of the oil painting

March 11, 2013 - PRLog -- Mehmet Güleryüz sketches are the typical denominator of the oil painting and sketches are the artist’s improv against the traditional techniques in perspective, type, some time to area. Güleryüz uses metaphors in his painting. Town, lifestyle, community, in brief every element of lifestyle is shown on his fabric. Sometimes Güleryüz shows the town, sometimes individuals, and sometimes characteristics. His painting are like write-up, complete of information. The strategy he uses is a very essential one, as his sweep makes its own terminology.
“The sweep strategy has a philosophical part. In this way we can say a author and a designer are identical. Because there is ‘contenu’ [content] in the painting,” he said. However, when one looks carefully at the painting, the visual part and the primary topic of the painting should be healthy Güleryüz included. “Everything is about that stability in the painting.”
The justifications are all sources to an concept in the painting. This is why one has to comprehend the painting and, to be able to comprehend it, that individual should first know the primary concept. It is a task to dig into the painting of Güleryüz, but how strong a audience can go relies on the detail of his or her perceptive thoughts.
According to Güleryüz, there is a terminology in the painting, and painting and sketches have their own terminology. He never usually spends his time informing what has already been informed, always establishing out to restore himself and create novelties in his painting. That is why he selects to use all he has metaphorically gathered in his lifestyle in his painting, then delivers his own understanding to the canvases.

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