Hindus urge Polish National Opera to drop culturally insensitive ballet "La Bayadère"By: USOH Hindu statesman Rajan Zed, in a statement in Nevada (USA) today, said that Teatr Wielki – Polish National Opera, one of Poland's most important cultural institutions and one of the largest opera and ballet theatres in Europe, under the oversight of the Poland Ministry of Culture; should not be in the business of callously promoting appropriation of traditions, elements and concepts of "others"; and ridiculing entire communities. Zed, who is President of Universal Society of Hinduism, indicated that this deeply problematic ballet was just a blatant belittling of a rich civilization and exhibited 19th-century orientalist attitudes. He also urged Teatr Wielki - Polish National Opera to apologize for such an inappropriate offering. Teatr Wielki - Polish National Opera should have shown some maturity before blessing a ballet like "La Bayadère" (The Temple Dancer), displaying Western caricaturing of Eastern heritage, and abetting ethnic stereotyping; It was highly irresponsible for an establishment like Teatr Wielki - Polish National Opera to allow such a ballet which had been blamed for patronizing flawed mishmash of orientalist stereotypes, dehumanizing cultural portrayal and misrepresentation, offensive and degrading elements, needless appropriation of cultural motifs, essentialism, shallow exoticism, caricaturing, etc. Teatr Wielki - Polish National Opera could do better than this to serve its diverse stakeholders; Rajan Zed suggested Teatr Wielki - Polish National Opera General Director Boris Kudlička and Music Director Patrick Fournillier; Krzysztof Pastor and Manager for Programming/ Zed is also urging this ballet sponsors Ministry of Culture and National Heritage of the Republic of Poland, BMW (German luxury automobile and motorcycle manufacturer) Like many others, Hindus also consider ballet as one of the revered art forms which offers richness and depth. But we are well into 21st century now, and outdated "La Bayadère", which was first presented in St. Petersburg (Russia) in 1877, is long overdue for permanent retirement from the world stage; Rajan Zed points out. End
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