In Évora the artist Santiago Ribeiro exhibits for the first time since the pandemia while in Italy a

 
SYDNEY - May 4, 2021 - PRLog -- The city of Évora in Portugal will be the new destination for Santiago Ribeiro's surrealist paintings, an event that marks his first presence in this Alentejo metropolis at the end of this April.

The initiative comes from the MatosCar company, an automotive group present in the Portuguese cities of Guarda, Fundão, Castelo Branco, Portalegre, Évora and Beja. Official representatives of 24 brands.

This time the exhibition will be permanent because the entrepreneurial group has decided to buy the works that are about a dozen will be exhibited in the new structures of Évora and will be able to be seen by many thousands of people.

Meanwhile, in Italy, the images flow in a video promoting the surrealist art of Ribeiro made by the poet prize A.S.A.S Vincenzo Calì, the Campania journalist and art curator Annalina Grasso and the actor Maurizio Bianucci. The video accompanies the promotion of the exhibition by the Portuguese artist, founder of the New Surrealist Movement.

The video that currently has more than 90 thousand views on instagram thanks to the persuasive and mysterious voice of the Italian actor Maurizio Bianucci who has taken part in important and successful series such as Suburra, in numerous theatrical representations and RAI fiction and which declaims the poem in the Italian version entitled "Profluvi" by the Sicilian poet Vincenzo Calì, while the English version "Flows" is recited by the journalist Annalina Grasso, creator together with Calì of this cultural initiative which is also enjoying success abroad. In fact, the video that frames the works of the international artist, through restless and alienating words, showing us how we probably would be if we totally freed our unconscious and our impulses: naked and blind, not really free, but lost; euphoric, not happy.

The video questions ourselves about the value of free will, the will and the true meaning of the word freedom. Ribeiro re-emerges the memories of the mind in a confused way representing suffocating spaces where they could be consumed or imagined to consume, barbarism in a desolate scenario.

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