Benjamin Genocchio International Focus And Art Criticism

Benjamin Genocchio, As a journalist reported on art and culture from more than 20 countries for over two decades. Benjamin Genocchio was one of the first to report on Iranian art from inside Iran, in 2011 for the New York Times.
By: ORM Expert
 
NEW YORK, Calif. - July 8, 2020 - PRLog -- Benjamin Genocchio, As a journalist reported on art and culture from more than 20 countries for over two decades. Benjamin Genocchio was one of the first to report on Iranian art from inside Iran, in 2011 for the New York Times, and in the late 1990s the burgeoning Chinese art scene that became more transparent after 2001. Benjamin Genocchio also penned reports and dispatches on art and artists in Pakistan, Egypt, Vietnam, Spain, Italy, Russia, Turkey, Japan, and Indonesia among other countries. Additionally, he reviewed the Venice Biennial for 20 years.

Benjamin Genocchio's Art Evaluation Process

Benjamin Genocchio's art evaluation process begins with his belief that "art work can channel the spiritual, challenge the mind and stimulate the senses." In a 2010 interview, Genocchio states that, "making art is one of the final arenas where there's true freedom of expression." When Benjamin Genocchio critiques a work of art, he considers the visual presentation, how the artist relates to their contemporaries and how the work of art stands in relation to history. Benjamin Genocchio puts it this way, "As a critic, I take the longest view possible. I'm not just writing for the moment, I consider what will last and the context of the artist within his peer group."

Benjamin Genocchio is also known for his blunt, often controversial opinions and in an introduction to his 2002 book "The Art of Persuasion: Australian Art Criticism 1950-2001" he states that the best criticism should be "partisan and political" as well as "opinionated and salty".

Benjamin Genocchio Official Website - https://www.benjamingenocchio.net/

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