Music, Melodies and Song Writers

LOS ANGELES - June 14, 2017 - PRLog -- After hearing the NSYNC song on a Network morning show while readying for work one bright morning.  Ms. Laird recalls herself humming the tune she had just heard when, subconsciously slowing the beat, she was then singing her own song.  "In that moment I realized that the hook was exactly the same melody as one of my songs.  A song I had worked in undesirable jobs to be able to afford to produce the demo.  With closer examination I realized they hadn't tried much to alter my instrumental intro."  Her song is titled I Don't Wanna Dream.

Laird who had been shopping her songs recalled, "I had sent the tape to Warner Brother's where a fellow New York University Alumnus - Denise Brown, Esq. was working.  I got a pass."  Calls to Ms. Brown remained unanswered so Laird went about seeking the support of Attorneys.   Some were fearful of losing business with the powerful Warner Brothers and Zomba Music who published and released the similar material.  Others were simply unaffordable.

To be fair there are differences in the two songs.  For example It's Gonna Be Me is faster with heightened instrumentation in the NSYNC single which was the group's only Billboard Hot 100 number one hit and highest charting Recording Industry Association of America Solid Gold single. The lyrics are also different in the two songs as well as the basic verse melodies.  The hook is undeniably the same - and while I am not a musicologist, I heard that - repeatedly..  Where Laird writes a love song of longing - in I Don't Wanna Dream;  the NSYNC tune seems like an answer stating - It's Gonna Be Me.  There is no doubt when hearing the two songs that there are major similarities.

Ms. Laird is a hard working actress who happens to write for all entertainment media.  She is the first African American Women to write and produce a professional Equity production at the formerly all Male "Lambs Club" the oldest theatrical society in America.  Her 7 character play EASY MONEY was met with wide acclaim. She recalls "Philip Rose stood up and loudly proclaimed that it was ready for Broadway.  I was an astonished, speechless writer at that moment, in shock!"  The late Philip Rose was Ms. Laird's friend, manager - and the original producer of Lorraine Hansberry's A Raisin In The Sun, among many other Broadway and film projects.

Essence of Cinti's Comedy Pageant, her live weekly comedy show which ran two consecutive years - (1999-2001) are echoed in television's Last Comic Standing.  Ms. Laird produced her Stand-up Comedy competitions at Manhattan's popular uptown, downtown and mid-town locations; sometimes adding music and sketch to the mix with the Comedy Pageant Players. Her songs are popular too.

Nonetheless, Cinti Laird is not currently among those being honored by the 2017 Songwriter's Hall of Fame on Thursday June 15th in NYC along with the likes of Berry Gordy as is Max Martin.  Which begs the questions, with so many similarities in these songs, is anyone here guilty of theft or is it just a coincidence?  Or is it just possible that her melody stuck with the men after hearing her song.  Then, lingering in the subconscious mind - as melodies often do - it was later innocently incorporated into the faster tune along with other arrangement options?

Ms. Laird has not let things get her down.  She keeps working faithfully - auditioning, creating film scripts, stage plays, television programming and oh yes, writing songs.  Sadly she says "I don't trust anyone like I used to."  Some Performing Rights organizations argue that music infringement is active and on going and so too is an injured parties' right to file suit for damages - as long as the song is played and residuals are being paid.  Don't quote me on it because  I know nothing about legal matters - except to ask...  Is there an attorney in the house?

Cinti Laird has some samples of her music on her website listed below.  One of her anthem's, the fun bouncy "I'll Bring You The Music" is available on iTunes as well as a song about loss "Here Today Gone Tomorrow."  If by listening, you could feel the pain Ms. Laird expresses in her sleek, simple, quiet yet shatteringly emotional vocals on "Here Today Gone Tomorrow" you would be moved by this impactful 9/11 release.  She is always working on something unique and entertaining, so you may want to keep a watchful eye on this lady!

Http://CintiLaird.ws