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Follow on Google News | Stolen Lullabies and Secret Impasses a self-restorative ascription to consciousness"Stolen Lullabies and Secret Impasses," foreworded by Sage Sweetwater, shares a shaving of interpretive minimalism, encapsulating surreal, free-flowing, verse while raising assault, abuse, and violence awareness.
By: dpInk: DonnaInk Publications, L.L.C. About the Book: Stolen Lullabies presents snapshots of time while revealing hard realities through an edgy yet humble literary voice. Donna's verse carries a winnow of religious mysticism and recants disturbing dramas and anecdotal histories coupled with imagery and reviewer comments. Sage Sweetwater, Colorado's Firebrand Lesbian Novelist, Poet, Storyteller, Screenwriter, and business artist with 15 films in pre-production graciously wrote the Foreword for Stolen Lullabies. Sexual assault, child abuse, and domestic violence are touched on, and offset by, the underlying gift of the human spirit where Ms. Quesinberry taps into otherworldly inspiration and intercessory acts that restored her soul. Her own healing process, and its susceptibilities, are equipoised against those unvoiced truths of victimization and the after-affects. An underlying, recognizable thematic,surfaces through the written word, and is directed toward the generational residue assault, abuse and violence leave in the wake of their storms. It is a poignant read and as Sage Sweetwater states, "Women have to say "yes" to this book. Any woman. Every woman. There's a right action, a discourse for every wrong. The content between the covers of "Stolen Lullabies and Secret Impasses" is one of those right actions, coming later in life; sustaining mental health and maintaining dignity arising from child abuse, sexual assault, and domestic violence through the perfected and written word. This valuable work is highly creative and beautifully written, for such a vile topic. This is the ultimate domino theory in reverse." About the Author: a proud mother of five adult children, Ms. Quesinberry was awarded a literary scholarship to finishing school at the age of thirteen (13), which demonstrates a life-long love of writing; she shares as 5 or 6 year old, Donna wrote bantering discourses to the Easter Bunny and other holiday creatures requesting more information regarding their lives as gift-givers wanting to learn what they did during their "off season". Her letters were entertained with responses and "Q" (as she likes to be called) thanks her generous mother who took time to answer her discourses to those holiday celebrities and the fact she writes today is no surprise. As a long-standing member of the Church of Jesus Christ of Latter-day Saints, Q balances her faith in God with the weight of gravity living requires. Her poetry, often referred to as mystic, depicts this reality. As a survivor, Donna maintains a lifelong affinity to her own spirituality and human compassion, in spite of the idiosyncracies of violence she's suffered. And, with an avid thirst to learn more about the recorded histories of heavenly messengers, much of Ms. Quesinberry's work speaks to the potentiality of angelic and/or otherworldly realms. As the Founder and CEO, of dpInk: DonnaInk Publications, L.L.C. (www.donnalquesinberry.com and www.donnaink.com) To obtain copies of the Stolen Lullabies and Secret Impasses or for Special Markets: Visit dpInk: DonnaInk Publications, L.L.C.: http://www.donnaink.com for deepest discounts. For bulk orders, interviews or speaking engagements write to: special_markets@ _____________________ Awareness Facts: Relative to her title, “Stolen Lullabies and Secret Impasses,” Donna shares facts about sexual assault, domestic violence, and child abuse noting one (1) in five (5) women and one (1) in seventy-one (71) men have been raped; nearly two (2) of every three (3) people know a domestic violence victim; and approximately ten (10) children die each day at the hands of their parents or loved ones through child abuse. Stolen Lullabies and Secret Impasses is intended to coincide with child abuse, sexual assault and domestic violence awareness campaigns. The sgraffico nature of the title's cover is intended to identify with survivors and others who are awake in support of recovery and prevention of the atrocities of abuse. At the close of the title, an expanded section provides takeaways for participation in awareness campaigns with incentives. As a survivor of child abuse, sexual assault, and domestic violence, Ms. Quesinberry is making herself available to present, share, talk, interview and coach survivors. End
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