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New Book Examines The Night Dylan "Went Electric" at the Newport Folk Festival
Author Edward Renehan asks whether the famed performance was actually the pivot point from acoustic to electric, from traditional to commercial, from topical to cynical, and from roots to revolution that urban legend hype tells us it was.
In Renehan's view, the night has been mythologized to the point of absurdity. Dylan's most pre-eminent chronicler Sean Wilentz has breathlessly described this evening as the night when “[Alan] Lomax along with Pete Seeger led the old guard that objected to the blasts of white-boy electricity, including Dylan's.” Seeger biographer David Dunaway speaks of Dylan understanding that at Newport “the electric guitar meant a declaration of war” and that, intensely ambitious, he sought publicity by smuggling “rock into the citadel of folk music.”
In this narrative, battle lines were drawn, a fight waged, and a revolution begun. Acoustic was overthrown by electric. Traditional overthrown by commercial. And topical song overthrown by cynical and personal pop culture.
For this symbology to work, we need to believe that traditional acoustic music cannot be (and was not at that time already) commercial, that electric music can never be traditional, that electric music is always commercial, that the Newport Fest (only a few years old) represented some sort of “hollowed ground” of acoustic music, and that various other straight lines apply.
They don't. This book examines how and why.
ABOUT THE AUTHOR: Edward Renehan has written critically-acclaimed books published by Oxford University Press, Crown, Doubleday, Basic and other houses. His previous book is Pete Seeger vs. The Un-Americans:
Available in Paper ($9.99) and Kindle ($2.99) Editions
Paperback: 66 pages, illustrated
Product Dimensions: 6 x 0.2 x 9 inches
For more information please visit: http://newstreetcommunications.com/
Page Updated Last on: Jun 12, 2015