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The Sochi Project: An Atlas of War and Tourism in the Caucasus
As Van Bruggen writes, “Never before have the Olympic Games been held in a region that contrasts more strongly with the glamour of the event than Sochi. Just twenty kilometres away is the conflict zone Abkhazia. To the east the Caucasus Mountains stretch into obscure and impoverished republics such as North Ossetia and Chechnya. On the coast, old Soviet-era sanatoria stand shoulder to shoulder with the most expensive hotels and clubs of the Russian Riviera. By 2014 the area around Sochi will have been changed beyond recognition.”
Since the beginning of their collaboration, The Sochi Project has been released via installments in book form and online, each focusing on a particular facet of the story, the geography, the people, and their history. The highlights and key elements of this extensive effort are brought together for the first time in this volume, designed by Kummer & Herrman, who have been integral to the collaboration from the outset.
The Sochi Project: An Atlas of War and Tourism in the Caucasus offers alternative perspectives and in-depth reporting on this remarkable region, the site of the most expensive Olympic Games, and one that sits at the combustible crossroads of war, tourism, and history
To see sample images and spreads from the book, visit http://www.aperture.org/
Rob Hornstra (born in Borne, The Netherlands, 1975) is a photographer and self-publisher of slow-form documentary work. In addition to his work on The Sochi Project, he is also the founder and former artistic director of FOTODOK—Space for Documentary Photography. Hornstra is represented by Flatland Gallery, Utrecht, The Netherlands.
Arnold Van Bruggen (texts) is a writer and filmmaker. He is the founder of the journalistic production agency Prospektor, and a cofounder, with Hornstra, of The Sochi Project.
The exhibition The Sochi Project combines the best of documentary storytelling in a variety of media, including C-prints, newsprint, video, texts, and books. The exhibition tours to the DePaul Art Museum, Chicago, January–March 2014; Aperture Gallery, New York, May 30-July 10, 2014; CONTACT Photo Festival, Toronto, May–June 2014; and FotoFocus Cincinnati, September–October 2014.
91⁄2 x121⁄2 in.(24x30cm)
512 pages, 200 four-color and black-and-white images
Hardcover with jacket
Copublished with The Sochi Project