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Follow on Google News | Do Or Die Mysteries Crime Scene Moves to Bethesda, MD.Do or Die Mysteries is now performing every weekend at Flanagan's Harp and Fiddle in Bethesda, Maryland. All shows are comic, interactive murder mystery shows.
By: Do or Die Productions, Inc. Do or Die Mysteries By CHRIS FELKER Do or Die Mysteries began a new run of its raucously hilarious dinner-theater interactive murder mysteries in a new venue on September 14. Flanagan’s Harp & Fiddle, an Irish pub and restaurant in Bethesda, will host the comic improvisation troupe on Fridays and Saturdays, offering new mystery shows every six weeks. The dinner-and-show deal is offered every Friday and Saturday night, but seating is limited. Tickets may be purchased online at www.DoOrDieMystery.com. To schedule a performance for a private party, go to www.DoOrDieMystery.com and click on the “Contact” link. A buffet dinner is served starting at 6:30 until the show begins at 7:30; tickets are $47.50 and include dinner, the show and taxes; beverages and gratuities are extra. Early arrivals can enjoy a drink in the main bar until the private, reserved room opens, and audiences also are invited to stay after the show to enjoy live musical entertainment. Flanagan’s is located at 4844 Cordell Ave., Bethesda. For more information, call Crowe at (443) 422-3810. Maryland Theatre Guide calls Do or Die Mysteries "...outrageous, clever and drop dead funny." Promising that “you’ll die laughing,” actor/director/ The current show's story line has declining former supermodel Georgianna “Gorgeous” Crowe, who wrote, directs and acts in the play, uses six or more actors to develop the plot and draw people into the story. The dinner-party guests, who are, of course, the audience, are given a program describing the story and giving them different “clues” that they can follow up on. “So the characters talk, and they're not saying the same thing at every single table. So at that point, everybody's getting a slightly different show. Then we come back and do what I call the expositional critical action scenes, which are the conflicts that have to happen in order for everybody to figure out what their motive is.” During this time, each diner's potential to become a player is assessed; one may even be tapped as a suspect, although Crowe said no one is drawn in against his will. “That's part of the talent of what my people do, that razor's edge. The ability to create theatre with the audience, instead of for them; to allow the audience to actually impact the action, at their comfort level, while still moving the plot forward and creating laughter all at the same time. That’s why I say my actors are the best of the best.” she said. Crowe says that Bethesda-area arts patrons are ready for this kind of show. Her company had an 18-month run at Blair Mansion Restaurant in Silver Spring until it closed temporarily. “Bethesda is an arts community, but this is different from anything that is going on there now,” she said, noting that despite several nice theater venues, “this is different; it's more engaging. It's not like watching a movie. It's like being on the set of a movie.” So she partnered with friend and Harp & Fiddle co-owner Steve Nugent to bring her theatrical company to the eatery's 45-seat private dining room. The former director of operations for International Renaissance Festivals Inc. during the 1990s and then operations chief at the Chesapeake Arts Center from 2001 to '03, Crowe this year is marking 25 years in theater, working in all aspects of the industry. She's been doing dinner theater since 1988 and in 1993 started Do or Die Productions. Born in Washington, D.C., she has an associate's degree in fine arts from the American Academy of the Dramatic Arts as well as three others, in business, accounting and anthropology. She has written more than 30 different murder mystery scripts and regularly stages shows at the Audrey Herman Spotlighters Theatre in Baltimore, as well as teaches various acting classes. “I'm passionate about it. I think it's a very vibrant theatrical form. A lot of people look at it and go, 'Oh, it's comedy. Oh, it's improv. That's kind of the redheaded stepchild of theater,' but it's not. And I feel like I'm one of the forerunners in the area, because I've actually developed a whole actors' handbook with techniques for the genre. After 25 years, I know what works and what doesn't,” Crowe said. “Improvisation is the beauty of it,” she continued. “There are so many theater companies out there that purport to be interactive comic improv. We really are improv. Yes, we rehearse the conflict; yes, we throw enough jokes in there that if everybody's having a bad night and nobody in the audience is interactive, it'll still be a really good show. But everything is organic.” Crowe performed in a 2006 staging of Agatha Christie's classic And Then There Were None at the Audrey Herman Spotlighters Theatre in Baltimore, and a Baltimore City Paper review said her performance was “coolly deadpan as the bun-wearing, bespectacled Emily Brent.” An original play she wrote about a dying woman consenting to have an egocentric TV personality document her demise and probe into her family life, Real to Reel,was featured in the 2005 Baltimore Playwrights Festival when she was based at the Chesapeake Arts Center. For an idea how these performances progress, check out excerpts from Death & Taxes, filmed at Do or die Productions’ About the Author: Chris Felker is a journeyman journalist who spent 30+ years as a newspaper reporter, copy editor and editor before becoming a freelance writer and editor. He writes for several publications in Florida, edits blogs and books, and has a website at www.yourowneditor.com. End
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