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notloB Folk Concerts Announces Winter Season Schedule
Volunteer-run and not-for-profit notloB Folk Concerts enters its fifth year of presenting local and touring old-time, traditional and revival folk, Celtic, bluegrass and blues artists to audiences in the greater Boston area.
All concerts begin at 8:00pm. Admission is by suggested donation, with proceeds going to the artists and production costs.
More information can be found at the series’website, https://sites.google.com/
Susie Burke & David Surette
Saturday, January 21 @ Loring-Greenough House, JP
Susie Burke and David Surette have made a name for themselves as one of the finest acts on the lively New England folk scene. Together since 1988, Susie and David have built a steady following for their own blend of contemporary, traditional, and original folk and acoustic music.
Burke's vocal style is at once stunning and heartfelt, and is matched by Surette's fluid fretwork. Both are well-respected within the folk music community, as is demonstrated by the fact that they have appeared as backing musicians on numerous recordings. Many of these have come out of the New Hampshire Seacoast area, where Susie and David are based, and which has a well-deserved reputation as a haven for folk and acoustic music. Susie Burke has been singing on Seacoast stages since the early 80s, as a soloist, a member of several local bands, and in several duos, including one with guitar whiz Harvey Reid. Her musical tastes and influences are varied and many, encompassing contemporary and traditional folk, swing, country, topical songs, and acapella singing, with detours along the way for Broadway showtunes and classic ballads.
David Surette has been performing in the Seacoast area since the mid-80s, both with Susie and with a number of other groups and musicians. He is well-known as a top-notch accompanist in New England's contra dance and Celtic music circles, and is also in demand as a studio musician. As a multi-instrumentalist, David brings a variety of stringed sounds to the duo; Folk Roots magazine notes that his "bouzouki, guitar, and mandolin playing is exemplary." In addition to performing and recording, Surette maintains an active teaching schedule, and is head of the folk department at the Concord (NH) Community Music School.
Julie Metcalf and Andy Reiner
Saturday, February 4 @ Loring-Greenough House, JP
Julie studied classical violin at Boston University's College of Fine Arts. Recently, she has immersed herself in the study of both traditional folk and contemporary styles of music, including Celtic, Appalachian, bluegrass, jazz, and Latin music. She is a graduate of Berklee College of Music with a degree in Violin Performance.
Julie plays viola in the Paper Star Trio, formerly the Folk Arts Quartet. The Paper Star Trio is a grooving chamber-folk string ensemble that plays contemporary arrangements of world fiddle music. She can also be spotted playing violin with Mariachi Palenque.
Andy Reiner grew up in a musical family in Lexington, Massachusetts. He began playing at age 5, learning fiddle from his father, (award-winning and Mel Bay Published Author) Dave Reiner, as well as taking classical violin lessons. Just when the young Andy was struggling with the issues of whether playing the fiddle was “cool”, attending Mark O’Connor’s Fiddle Camp in Tennessee in ’97 and ’98 changed his life forever.
Andy continued to attend fiddle camps over many summers which were a constant source of inspiration, learning, and jamming. Traveling from Maine to Colorado and even to Cape Breton NS, he took classes with many legends including Vassar Clements, Darol Anger, Richard Greene, Natalie MacMaster, Buddy Spicher, Jerry Holland, Bruce Molsky, Ashley MacIsaac, Becky Tracy, Rachel Maloney, Casey Driessen, Mark Wood, Laura Risk, and Aubrey Haynie.
Kimberly Fraser, Brian Conway & Mark Simos
Friday, February 17 @ Unity Somerville
Kimberley Fraser was born on Cape Breton Island, and nurtured within its rich musical heritage. She first began to impress audiences at the age of three with her step-dancing talents. Soon after that she took up both the fiddle and the piano. Though still in her 20s, Kimberley’s already has a distinguished career. She has traveled the world, from Victoria to Afghanistan, performing at venues such as The Kennedy Center in Washington D.C. bringing Cape Breton music with her wherever she goes.
Kimberley holds a degree in Violin performance from Berklee College of Music and in Celtic Studies from St Francis Xavier University in Nova Scotia.
New York born fiddler Brian Conway is a leading exponent of the highly ornamented Sligo fiddling style made famous by the late Michael Coleman. The winner of two All- Ireland junior titles in 1973 and 1974 and the All-Ireland senior championship of 1986, Brian's early studies were with his father Jim of Plumbridge County Tyrone and with Limerick born fiddler/teacher Martin Mulvihill. However, it was the legendary fiddler and composer Martin Wynne who taught him the real secrets of the County Sligo style. Later, Brian met and befriended the great Andy McGann of New York a direct student of Michael Coleman, who further shaped his precision and skill on the instrument.
Brian remains faithful to the rich tradition handed down to him. The distinctness of his tone, the lift of his playing, and the deft ornamentation he brings to the tunes have placed him among the finest Irish fiddlers of any style, Sligo or otherwise.
The musical imagination of Mark Simos weaves a lifetime love of many traditions into innovative musical forms. As songwriter and composer, fiddler, ‘tunesmith,’
Eric McDonald & Katie McNally
Friday March 2 @ Loring-Greenough House, JP
Katie McNally and Eric McDonald found each other in high school as like minded musicians in the Boston traditional music scene. Both sought to functionally push the envelope of traditional music, using original music and modern sensibility to add new color to the familiar style of tunes that have been passed down for generations. Over the years and many impromptu musical moments, this musical relationship congealed into a cohesive unit. Now the music, while based heavily in the Scottish tradition, is infused with influences from two diverse and educated musical backgrounds, where carefully arranged traditional pieces seamlessly give way to original compositions. Every set provides an enthralling dynamic intensity, jerking the listener's emotional chain back and forth with an ultimately satisfying blend of feeling. Having always been two of the busiest players around, these two have amassed a reputable list of experience, currently including the Scottish powerhouse Cantrip (McDonald) and the fiddle super group, Childsplay (McNally). This practiced musicianship shines in the melodic texture and murky tones that linger long after a McNally/McDonald performance.
“In this era of pop-driven acoustic music, notloB is keeping the folk tradition alive.”
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notloB Folk Concerts presents local and touring roots, newgrass, traditional and revival folk, Celtic, bluegrass and blues artists to audiences in the greater Boston area.
Concerts are volunteer run and not-for-profit.