Edgar Degas famous oil paintings and quotes

Edgar Degas was a French artist famous for his work in painting, sculpture, printmaking and drawing.
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May 8, 2011 - PRLog -- Edgar Degas was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist.   A superb draughtsman, he is especially identified with the subject of the dance, and over half his works depict dancers. These display his mastery in the depiction of movement, as do his racecourse subjects and female nudes. His portraits are notable for their psychological complexity and depiction of human isolation.

Early in his career, his ambition was to be a history painter, a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties, he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life.

Edgar Degas is highly considered to be one of the leading Impressionists of his day and as a result, the world has a number of paintings which enrich the art world as a whole. One of Degas’ most famous works is The Dancing Class and when you look to this particular painting, you will be treated to a rich and vibrant world that Degas has managed to capture for future generations to enjoy. There are a number of layers to this particular painting and only after you take the time to study it in depth will you be able to fully appreciate everything it has to offer.

To understand what Degas typically does in Degas paintings, you will need to look into the life of the man himself. Degas was born in 1834 and by age 18 was given permission to copy works directly from the Louvre. This lead into a professional studying of painting before Degas set about to travel around Italy and work. In 1868, Degas starts to gain attention as an artist and becomes a frequent visitor to the Café Guerbois, which was frequented by other such artists as Monet, Renoir, Manet, and Cezanne, among others. His love of painting was coupled with his love for art itself and on his death had amassed such an art collection that it could have taken an entire museum to house it.

His painting The Dancing Class itself was considered to be made as a tribute to the esteemed ballet teacher Jules Perrot and it is also a very popular among oil painting reproductions of masterpieces today. The images in the painting itself are not indicative of a traditional ballet class, as each of the dancers appears to be doing something different. A number of different poses are being acted out by the dancers in the painting and only one of them appears to actually be dancing, while the others seem to be waiting for a chance to take the floor themselves.

The composition of the painting itself is a very fluid one, allowing the eye to easily travel between a number of different images found within the portrait. One can easily focus on the dancer to the foreground and easily move to the other dancers standing to the edges of the room. It becomes very easy to notice the other details of the painting too, including the pieces of equipment scattered throughout the room or the mothers of the dancers seated in the background.

Ultimately, this painting is one which offers a rich world to absorb. You can turn to The Dancing Class when you are hoping to find a painting which is going to offer a rich landscape in a variety of depths and colors to absorb. It is one of Degas’ finest masterpieces and for this reason, should be considered a wise selection by anyone with a love of art.

Edgar Degas other popular art reproductions:
Ballet Rehearsal
Woman in the Bath, 1886
Dancers In Pink

The Ballet Class
Absinthe
Nude Woman Pulling on Her Clothes
Edgar Degas famous quotes:
Art is vice. You don’t marry it legitimately, you rape it.
Everyone has talent at twenty-five. The difficulty is to have it at fifty.
In painting you must give the idea of the true by means of the false.
It is all very well to copy what one sees, but it is far better to draw what one now only sees in one’s memory. That is a transformation in which imagination collaborates with memory.
No art is less spontaneous than mine. What I do is the result of reflection and the study of the great masters.
One must do the same subject over again ten times, a hundred times. In art nothing must resemble an accident, not even movement.
Only when he no longer knows what he is doing does the painter do good things.
Painting is easy when you don’t know how, but very difficult when you do.

What a delightful thing is the conversation of specialists! One understands absolutely nothing and it’s charming.

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