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Follow on Google News | Lydia Kakabadse provides an ethereal listening experience with her album “The Phantom Listeners”By: Quite Great Lydia manages to incorporate aspects of her fascinating family history within her music. Due to her multi-national background (Greek/Austrian mother and Russian/Georgian father) Lydia was brought up within the Greek and Russian Orthodox faith, from where she drew inspiration in such works as her string quartet Cantus Planus, song cycle Cantica Sacra and also a choral piece that is still being worked on. Lydia’s heritage on her father’s side is extremely fascinating, as her paternal grandfather was deputy prime minister of Georgia from 1921 – 1933 and shortly afterwards publicly denounced Stalin. One of the truly elegant singles from the album Russian Tableaux is a captivating, bitter-sweet tribute to the landscape, history and culture of Russia. For a taste of this beautiful album you can listen to Russian Tableaux available here: https://soundcloud.com/ Lydia’s album – “The Phantom Listeners, Arabian Rhapsody Suite, The Mermaid” – which was released in 2011, gravitates towards an ethereal experience for the listener, providing stimuli for subliminal visuals. The Latin text within The Phantom Listeners and the (English) text in The Mermaid were both written by Lydia, the first inspired by Walter de la Mare’s poem “The Listeners” and the latter by Greek mythology. The second track on the album – “Arabian Rhapsody Suite” was partly written whilst Lydia was undergoing breast cancer treatment in 2008, and an article was published shortly afterwards in the Eastern Daily Press depicting how much her composing helped her through the treatment. The third track – “The Song of the Shirt”, Lydia wrote when she was just fifteen! Lydia has received praise for her work from a huge variety of listeners: “Her music is so instantly appealing” – Music Web International “Well written, melodic and effective – characteristics of all of Kakabadse’s music” – Music web International Arabian Rhapsody Suite – “its rhythms and phrasing evoked the exotic sounds of Marrakesh” (Eastern Daily Press) “Whilst mastering counterpoint perfectly, she makes wonderful use of her material by means of a high quality structure giving a sense of the new and vibrant and captivating the listener,” (Tamvakos – Jazz & Tzaz) You can find out more about Lydia from her website: www.lydiakakabadse.com End
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