“The composers featured in ‘Masters of High Romanticism’
“Chopin refracted classical forms through the prism of a narrative, dancing, dreaming sound-world unique unto himself. Among his many contributions to the Romantic piano literature, Chopin virtually invented the Ballade as a musical genre and emancipated the Scherzo from its origins in dance.”
The “Masters of High Romanticism”
Carlo Grante, piano
“MASTERS OF HIGH ROMANTICISM”
Alice Tully Hall, Lincoln Center
Broadway and 65th Street, New York, NY 10023
PROGRAM I – Friday, October 31, 2014 at 7:30 p.m.
FRÉDÉRIC CHOPIN (1810-1849)
The Four Scherzos • The Four Ballades
TICKETS – $45, $35, $25
Available at the Alice Tully Hall box office,
by calling CenterCharge, 212/721-6500 or at http://lc.lincolncenter.org/
“MASTERS OF HIGH ROMANTICISM”
PROGRAM II – Monday, December 15, 2014 at 7:30 p.m.
ROBERT SCHUMANN (1810-1856) • The Sonatas for Piano
PROGRAM III – Tuesday, February 10, 2015 at 7:30 p.m.
JOHANNES BRAHMS (1833-1897) • The Variations for Piano
Programs subject to change
About Carlo Grante
“Carlo Grante is one of the most astonishing artists I have ever known and worked with,” says Fabio Luisi, Principal Conductor of the Metropolitan Opera and General Music Director of the Zurich Opera. “A challenging collaborator, his artistry is permeated with the deepest knowledge in many fields, not just the arts. Interesting for me as a musician and conductor is the way he approaches a musical work: considering it as expression of time, environment, and the composer’s own personal, social and cultural experience. With Carlo’s fantastic technical and analytical skills, the music comes alive in a way which sounds new, sometimes unexpected, but always both logical and natural. Working with Carlo Grante is for me an enrichment in musical experience and understanding, as it is for his audiences.”
Carlo Grante is one of the most active pianists performing and recording today. His concert repertoire is one of the largest among contemporary pianists; it includes masterpieces by core composers as well as important works by lesser-known composers. His discography runs to more than fifty CDs and ranges from Domenico Scarlatti (the complete sonatas, a 40-CD project under the auspices of Bösendorfer and Badura-Skoda in Vienna), to Platti, Clementi, Liszt and Schumann, to twentieth-century composers such as Godowsky, Busoni and Sorabji. Recent recordings include works by Vlad (Opus Triplex) and Finnissy (Bachsche Nachdichtungen)
Carlo Grante is one of Europe’s foremost concert artists, having performed in such major venues and prestigious halls as the Grosser Saal of the Konzerthaus and the Goldener Saal of the Musikverein in Vienna; Wigmore Hall and Barbican Hall in London; the Sala Santa Cecilia in Rome; Leipzig Gewandhaus; Dresden Semperoper; Stuttgart Opera; and in New York, Chicago, Milan, Tokyo, Hong Kong, Singapore, Hanoi, Zagreb, Bucharest, Lima and Rio de Janeiro. In May, 2014, he made his Washington, D.C. debut at the Terrace Theater of the John F. Kennedy Center for the Performing Arts. He has performed at the festivals of Vienna, Istanbul, Husum, Newport, Miami, Tallin, Ravello, and MDR Musiksommer, and the “Neuhaus Festival” in Saratov. He has appeared as soloist with major orchestras including the Dresden Staatskapelle, Royal Philharmonic in London, Vienna Symphony, Orchestra of St. Cecilia, Pomeriggi Musicali di Milano, MDR Leipzig, Capella Istropolitana, Chamber Orchestra of Europe, and Concertino Wien.
In 1996, on the occasion of two recitals at Wigmore Hall in London, the reviewer of Musical Opinion wrote, “the discs of Grante had shown astonishing qualities...his live performances have then proved him to be the first-rate pianist that his discs suggested.” In 1997, after a series of six recitals in New York, Bernard Holland of The New York Times wrote, “Carlo Grante…systematically demonstrated technical ability, but it was a prowess that went beyond muscle and speed. Here was not just attractive color but color with a purpose.” Eminent author and critic Harold Schonberg said that Grante demonstrated “real, stylish virtuoso playing, nimble and confident, backed by a splendid piano tone. Fingerwork is impeccable…[The]
Mr. Grante’s recitals and concerto performances have been greeted with enthusiasm; a reviewer described Grante’s Mozart Fantasia as “a small, quiet miracle” (Leipziger Volkszeitung);
Carlo Grante graduated from the Conservatory S. Cecilia in Rome, studying with Sergio Perticaroli, after which he studied in the U.S. with Ivan Davis at the University of Miami and at The Juilliard School in New York with Rudolf Firkušný; he then studied intensively in London with Alice Kezeradze-Pogorelich.
A Bösendorfer artist, Carlo Grante is also a widely-published writer on the piano literature. He lives in Rome.
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