Take hold as the New Aesthetic takes its first test drive.
By empowering the public to be integrated into an otherwise foreign process, self expression is allowed to finally take foothold in common everyday activities, breaking down boundaries of class and education with an outcome that benefits from the world’s widened horizon. With such accessibility encouraging experimentation leading to the cognizant recognition of creativity’s supreme importance and Art’s intrinsic value, a new path is laden for which the future may follow. These New Temple parishioners are of the Old Nubian breed well beyond any Huxleyan characterization.
Building a foundation from the spiritual essence of multi-religious references to combat the present void created by the fast paced overdevelopment of the technological life where fundamentalism grows rampantly, foddered by the manure of regression, Molochevski, Pearlman and Shin return to the oversimplified model of the cycle of life.
Recessing to the safety of familiarity feeds the archaic need for faith in knowledge falsely so-called while Generation Z blindly plays in the fields of fascination unknowingly distracted by the ever growing need to be current and updated.
In the continual effort to combat Man’s inevitable foibles into the absurd, ill-prepared, Molochevski, dares to suit up and bear arms with advisors Pearlman and Shin close at hand.
The battle for spiritual sanity has just begun and Molochevski’
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