Chris Greene Quartet returns to the MAYNE scene May 24th .

April 24, 2012 - PRLog -- Chicago, IL - The Chris Greene Quartet (CGQ) will celebrate the release of their new “live” album, with an 8pm show on May 24th at Mayne Stage in Chicago (1328 W. Morse). This set marks a return to where it all started: A Group Effort was recorded in front of an enthusiastic audience at Mayne Stage last October. CGQ is Chris Greene (leader, composer, saxophones) with Damian Espinosa on piano, Marc Piane on bass and Steve Corley on drums. The slicing, dicing and musical mixing Paul Abella Trio will be there too, to kick-off the release party. The box office opens at 6pm; lobby doors open at 6:30pm. Tickets start at $18 for general admission, and may be purchased in advance through the Mayne Stage box office at  773.381.4551 or online at http:www.maynestage.com/Chris-Greene-Quartet.

Whenever the Chris Greene Quartet takes the stage, jazz and rock listeners notice something immediately: they’re sitting next to each other, and that doesn’t happen all that often on today’s scene. As jazz strives to find new audiences, the CGQ is already admired for its ability to “cross  over” and reach music-lovers raised on pop – but without “selling out” the formative principles of the jazz tradition.

With several CDs and a DVD to their credit, the quartet now stands poised at the next plateau of critical and popular success.A Group Effort , CGQ’s new “live” album, will surely further their reputation as band on the run, gathering converts from across the stylistic spectrum as they go.

Veteran jazz critic Neil Tesser writes in the liner notes to A Group Effort, “. . . saxophonist Chris Greene and his simpatico teammates demonstrate their spirited approach to the jazz conundrum: How to keep the music fresh and new, without resorting to foolishness that dilutes the idiom’s power and promise? For Greene, the answer lies in using familiar materials – the funk and hip-hop he heard growing up – as a bridge to younger listeners looking for more.”


On seven original compositions, plus the jazz standard “Blue Bossa” (which dates to the mid-60s), the CGQ folds these multiple influences into layered rhythms and catchy melodies. The band’s own compositions reflect their appreciation for modern singer-songwriters – such as Madonna and the Black Eyed Peas, whose music they have covered on previous discs – as well as material that lends itself to the deeply interactive improvisations, a characterization of every CGQ performance.

“It’s important to me to build a group with an evolving sound, and four guys striving to be better on their instruments and also better collaborators,” explains Greene. He adds that it is also important to convey on CD the experience of hearing the band in person. As he puts it, “The band you hear on the disc, and on the radio, is the same group you would come to see.”

But any in-concert recording poses an inevitable tradeoff. On one hand, it enables the listener to hear a band within the adrenaline-charged environment of a “live” performance; on the other hand, it forces the musicians to give up the acoustical control afforded by the studio setting. In order to minimize this loss of control, the CGQ chose one of the most acoustically advantageous performance spaces in Chicago – the Mayne Stage theater, which has its own in-house recording and broadcast studio – and then raised the stakes by bringing in veteran engineer Joe Tortorici to handle the session.

“The Mayne is a unique recording environment,” explains Tortorici. “I wish there were more like it. The electronics are pristine, and the Pro Tools system is robust.” And, he says, the sheer size of the room, with is ample dimensions and high ceiling, is an engineer’s dream. “There is no substitute for air, in the acoustic sense,” Tortorici adds, pointing to the difference between natural reverberation and electronic imitations of this effect. “What a joy it is to open the room microphones and hear a naturally occurring, diffuse ambience, at about two seconds – perfect linear decay. I have no doubt as to the enriching and positive effect it had on the recording.
“I think about the many very talented young recording engineers in town and realize the leap of faith Chris took with me, the ‘old guy.’ But it was ultimately about the content. The guys performed flawlessly and all I had to do was reflect that.”

“The guys” are pianist Damian Espinosa, bassist Marc Piane, and drummer Steve Corley; they make up the tightly bound rhythm section of the CGQ, which coalesced in 2005. (Espinosa and Piane were original members; Corley joined in 2010). Greene describes their music as “acoustic organic rhythmic guerilla jazz,” drawing its intensity “from the current sounds of rock, funk, fusion, and soul.”

Greene himself has been called “a post-bop maverick intent on shaking things up for the mainstream” (by All About Jazz) and “a stupid-funky tenor and soprano player” (by Downbeat). A native of Evanston, Illinois, he started on alto sax at the age of 10, switching to tenor as a member of Trippin Billies (a tribute band covering the music of pop icon Dave Mathews). His resume includes stints with a wide range of artists – from hip-hop star Common to Chicago acid-jazzers Liquid Soul – and six previous albums: two with his first band, New Perspective, and four with the CGQ, as well as their DVD Based On A True Story (recorded at the world-famous Jazz Showcase in Chicago).

All these productions share the common goal of spreading real jazz to people who may not even know what it is. “People who have this idea that they don’t like jazz – or that it’s all either Kenny G or Dixieland (with nothing in the middle) – turn out to like what we’re doing,” Greene says. “And that means more to me than just about anything. But also there’s the fact that we have a really nice group of people who come out to see us. So this album in a way is my thank-you to them.”

A perfect opener for the evening, the Paul Abella Trio has one goal in mind when they're playing for you: to make jazz fun again. Their unique blend of jazz, samba, rock, blues and folk is quirky and joyous. Their members draw on a combined experience which has seen them work in a wild variety of settings, from church worship teams and symphony orchestras to avant-garde jazz and Grateful Dead cover bands. Their set promises to thrill and surprise as always with percussion by Paul Abella, Mitch Corso on guitar & vocals, Bob Ferraris on bass and vibraphonist Stephen Lynerd.

While the Thursday, May 24th show at Mayne Stage is a major milestone for the band, audiences should not hesitate to catch CGQ at some of their regular stops - all listed below. For more information about the artists, please visit http://www.reverbnation.com/thepaulabellatrio or http://www.chrisgreenejazz.com.

~Details Follow~



CHRIS GREENE QUARTET
Chris Greene - saxophones
Damian Espinosa . piano   /   Marc Piane . bass   /   Steve Corley . drums

“…dynamo…threads each tune with high-octane uplift.” ~ Jazz Times

Thursday, April 26 - Sunday, April 29, 2012
Thursday 6pm, Friday & Saturday 8pm, Sunday at 5pm
Pete Miller's Evanston   
1557 Sherman Ave, Evanston, IL 60202   
847.328.0399  or www.petemillers.com/music-evanston
no cover

Wednesday, May 16, 2012 at 7pm
Every third Wednesday
M Lounge
1520 S. Wabash, Chicago, IL 60616
312.447.0201 or www.mloungechicago.com
no cover

Thursday, May 24, 2012 at 8pm
Mayne Stage   
CD Release for “A Group Project”
w/ opener the Paul Abella Trio   
1328 W Morse Ave, Chicago, IL 60626
www.maynestage.com   or   773.381.4554   
18 and over   / Tickets $18,reserved $23 or
VIP $38 includes CD & signed poster!

For more information about Chris, CGQ and upcoming gigs visit Chris’ website at chrisgreenejazz.com.



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