At the ITU-AIBD workshop on digital terrestrial television broadcasting this month, Motion Picture Association of America(MPAA)
Participants discussed why free-to-air(
"It's a really exciting time for us as the digital transition begins," says Isa Seow, Managing Director, CCP.
Jim Williams called it digital emancipation when US broadcasters turned off analog signals June 12 this year. He invited delegates from different countries to identify which stage of the digital transition they each were in, and adopt appropriate types of content protection. "Protect your free TV," he exhorted.
”Content protection helps broadcasters obtain high-value entertainment. Content owners can be more confident of channels that they will be licensing content,” says Isa Seow, who is also a consultant at Motion Picture Association. “Our CCP Recommended Outputs Publication is a reference for many device manufacturers and broadcasters seeking clarifications for free-to-air set-top box outputs design.‘
Williams recommended low-cost alternatives such as High-bandwidth Digital Content Protection (HDCP), where discounts on royalties are available. "Not many organisations are focused on low-cost alternatives,"
In Korea, a country with one of the highest broadband penetration rates, 47% of the 33.5 mill users admitted to illegally downloading movies once a week. "If this goes on, we're going to face what happened to the music industry," says Graham Stephens, CTO, Astro All Asia Networks plc. He concurred that it might seem strange to talk about FTA and content protection in the same breath, but don't just go out with open-architecture set-top boxes, he warned, and instead use the opportunity to think about how to do the digital transition well.
NDS Asia-Pac Chief Engineer Paul Jackson described a new broadcast business model that his company supports in Turkey. The Turkish model requires people to purchase a content-protected set top box and register for free access to additional "free-to-view"
In the crowd was the Indian regulator amongst the Singapore, Malaysia and other regulators who flew in for the BCA related events.
Jim Beveridge, Director, International Media Policy, Microsoft, said the company had several new innovations where high-value content was one constant. The idea of Multiple screens on Media Room, Media Centre and X-Box require content protection, he said, which requires Microsoft to interact with broadcasters on this platform.
Vidar Sandvik, International Product Marketing Manager at Conax AS, advocated “scrambling"
Licensing set-top box production and preventing consumers from becoming broadcasters, but enabling them to receive, store and do home networking are some rules that regulators should lay down to protect content, concluded Williams. He recommended making content protection cheaper by going completely digital. "Why do you need analog outputs?" he asks. The combined cost of HDMI (High-definition Multimedia Interface) and content protection on a set-top box was cheaper than content protection alone, he pointed out.
The ITU-AIBD workshop saw 40-50 Asian broadcast regulators in the room. Among the regulators were Singapore, Malaysia, India, Indonesia, and others.



